Syllables, from this perspective are vulgar compared to the meaning of each letter...

gp: Sounds of Colors & Molecular Representation by Letter
by wgoconnel
06/13/2008, 9:15 AM

This will be my last geometry pamphlet for quite a while, it seems to me, and so I'm going to do this for fun, and so I can think despite the noise which is constantly surrounding me. No earplugs are widely available wherever I am, I'm afraid.

The Molecular Structure of Letters

My firm conviction is that each letter represents a layer of atoms which are spaced a certain way, (though it should be said that every layer of atoms is onto another layer of atoms so it's not possible to have just a single layer of atoms). The molecular layers would be clear because they would represent uniformity of the on-the-top-of-each-other layers of molecules as well as the side-by-side layers because there's only a single layer. However, usually, layers of molecules which aren't man-made differ gradually from each other as far as spacing is concerned and combine to make different colors.

The lighter sounding letters like w and h and ah, for a, or ah for r, are farther spaced apart and quite loftier than the shinier and closer spaced layers of harsher sounding letters like k and rrrr for r and c, and the grrr sound which begins the sound of the color green. The letters which represent molecular layers and have spacing between those two extremities like, the letter n might combine to form yellowish molecular layers which can be shut off by the letter t to close off the daytime and make it dark as night....with the i for high noon and the grisly g and h for the sounds of what is darker than day, yet with a still fluffy and lofty red h for dawn and the final t, night.

I think we combine letters to form words because we need to describe the sounds of oxygen hitting our tympanums when we are next to an object and looking at it. Oxygen hits our tympanums when it bounces off objects, and so the top layers of an object's molecules hit the ears before the vibrations on the oxygen molecules of the bottom layer hit the ears. Also, air "bounces" off different parts of molecules and hits the ears so there is never a complete sound for a single form.

Basically, parts - representations - of each object hit the tympanums by oxygen molecules. There's no way for the entire form of an object to be transmitted onto a single oxygen molecule at once, they have to hit the ears at least twice.

So, we search, imho, for an equilibrium of molecular structure based upon the manifold ways oxygen hits our ears by using letters, which are approximations of the different molecular structures of the same object. We know each object has a fairly uniform molecular structure by looking at them. However, because there are words for colors, and to have colors we need more than one layer of molecules, and we need more than one letter to express the sound of each color by our words, then that means oxygen hits the ears differently based upon the different levels of molecules and their representations on oxygen, as well as the different parts of each form (the different sides of each form) by each oxygen molecule. And so each letter we use to write the word of a sound of a color means, that each letter is a representation of a part, of a single molecular layer.

Water, when electrons pass over it is clear and shiny but moving, and so all the letters which we use to describe it are our, or others', way of describing the different ways that oxygen normally hits the ears when seeing water, and when one is around water.

Syllables, from this perspective are vulgar compared to the meaning of each letter.